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Volume 3, Issue 2 (Summer 2008)EDITOR’S INTRODUCTION: MODERNISM, AESTHETICS, HISTORIOGRAPHY Daniel Moore Sanja Bahun ON SOME MOTIFS IN BENJAMIN: HISTORIOGRAPHY AS AN ETHICAL MODE Keith Leslie Johnson OBSCURE(D) MODERNISM: THE AESTHETICS OF THE ARCHITECT PAL LIGETI Rajesh Heynickx REPRESENTING THE PAST IN PHOTOMONTAGE: JOHN HEARTFIELD AS A VISUAL HISTORIAN Katarzyna Ruchel-Stockmans John Funchion HISTORICAL PSYCHOLOGY, UTOPIAN DREAMS AND OTHER FOOL’S ERRANDS Nick Hubble WHAT MATTERS WHO HEARS? EDMUND WILSON AND THE PRAGMATICS OF LITERARY CRITICAL DISCOURSE Joshua Kates |
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